Musical power and the East-West international diplomacy

Abstract

Within this book, the editor establishes a dialogue between historians and musicologists bringing the idea that music is not only a musicological object but can even be a powerful tool for historians to understand and narrate the history of international relations in the 20^th century. In this vein, contributors to the book were selected among both disciplines and according to their respective interests within the related sub-disciplines of history and musicology, but also for their attention to particular concepts and theories the editor decided to highlight – genres (musical), Cold War, manipulation, communication, and the state.